It is time

_64Z3605 copy
It is time. Available as a 12×16″ (~30x41cm) Ultraprint on Permajet Portrait White fiber paper (matte); $380, signed edition of 20. The price includes shipping by courier anywhere in the world. Please include your phone number for the courier in the comment field when ordering.

This image’s title refers both to the presence of the clock, the immediacy of the moment, and the abstract relativity of the whole concept of time: when is now? What is now? How do we know when something must be done? When must the shutter be released; what is the optimal moment? Even objects that are static have an ‘ideal time’: in this case, when the sun is at the precisely right height to create shadows sufficient to delineate texture and transparency, but not overwhelm; when the clouds are in a position to reflect off the glass surfaces of the right hand towers, which are at the right level of reflectivity; when the brick in the foreground is aged and evenly patinated by loving birds. It is the only time to make this image, and because of that, the right time. MT

____________

About the prints
Prints are made by Printmaster Wesley Wong of Giclee Art using our proprietary Ultraprint process, which delivers extremely high real resolutions – up to 720 pixels per inch, or four times that of an iPad’s Retina display, a wide gamut, and very smooth tonal transitions. We print on either Canson Infinity Platin Fiber Rag baryta or Permajet Portrait White depending on the subject matter and size using Epson Ultrachrome archival-grade inks.

____________

Images and content copyright Ming Thein | mingthein.gallery 2014 onwards. All rights reserved

Lake Hawea I

_64Z2271 copy
Lake Hawea I. Available as a 16×20″ (~40x50cm) Ultraprint on Canson Infinity Platin Fiber Rag baryta; $500, signed edition of 20. The price includes shipping by courier anywhere in the world. Please include your phone number for the courier in the comment field when ordering.

I drove north from Queenstown, struggling over a blizzarded mountain pass with my woefully underpowered rental car, pausing every few kilometres to install or remove snow chains, freezing fingers and getting my daily intake of iron via the absorbed rust. The pass was beautiful but there was no safe place to stop, so I did not shoot. I kept driving in search of the inevitable end of storm landscape that would come; these things blow themselves out fairly quickly in New Zealand because of the winds driving them off the Antarctic continent. Sure enough, after Wanaka and another twenty or so kilometres, I rounded a small cape and came to the other side of a low range to find Lake Hawea spread out before me – with clouds just receding over the mountains and an impossibly intense metallic cyan hue to the water. I stopped, looked, and got two shots just before the clouds blew off a little more and the sun broke through completely. The image is monochrome because it better preserves the mood – you feel the serenity of the lake, the isolation of the cabin, and the openness of space without the blues dominating.

____________

About the prints
Prints are made by Printmaster Wesley Wong of Giclee Art using our proprietary Ultraprint process, which delivers extremely high real resolutions – up to 720 pixels per inch, or four times that of an iPad’s Retina display, a wide gamut, and very smooth tonal transitions. We print on either Canson Infinity Platin Fiber Rag baryta or Permajet Portrait White depending on the subject matter and size using Epson Ultrachrome archival-grade inks.

____________

Images and content copyright Ming Thein | mingthein.gallery 2014 onwards. All rights reserved

%d bloggers like this: